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: Grenzg?e, raw Bl?e and phantom views with the 57. Read this article on a side Grenzg?e, raw Bl?e and phantom views with the 57. A man hums something before itself: La-la-lala-la-la, one. The man is thickly, stupid and. Its daughter, thickly and stupidly as he, is in the Schlagergesch? Make career, and out father l?erlichem Lalala it gro?r hit is to become. Dream of legs to make, must kidnap the father only a successful S?erin and set their producers under pressure. Masked and armed he sits beside him in the car and hums:. The producer can hardly actually hold. Week and a few bizarre idioms sp?r has the producer from Schei? Gold made, and thick breaking into daughter is in. Unterhaltungsindustrie a cheap enterprise, in which everyone sells everyone f?dumm - and at the same time a charm realm, in that the lowest formulas still the h?sten Gef?saufwallungen. One watches, how fades a nothing to the number one is up-thundered, and breaks themselves nevertheless nearly even in Tr?n, if the talentless daughter their made up sentimental song schmettert into the television cameras, w?end dad off that. The Belgian Deruddere makes the spectator only knowing accomplice, then to the willing consumer. Insight into the rejectingness of the Gesch?s follows the case of knee forwards. One m?te cries, all stupidity to the defiance and one must laugh that one may along-suffer after so much L?erlichkeit directly again from full heart. If the cinema with itself is k?ft a small lesson?r Zauberkr?e, the all disenchantments?rstehen. sees one, like easily it the cinema having can from Venice were a reassuring experience - in the midst of of films, which showed above all, how heavily the cinema can do. Gro?n the festivals turn out for point again and again at those prek?n to tilt at that a quantity requirement into a heap of Pr?ntion. This danger does not l?t itself as simply evade nat?ich must a festival as Venice films show, in which the cinema with itself k?ft, every now and then against the spectator, in those it is st?isch and str?t. the Unf?gkeit, from a Sichstr?en however often becomes fast a itself spreading, and of the effort of art of the director remains sometimes only looking past the spectator only the effort souver?genug to the Pr?ntion (as with Hollywood films at the convention), in order to win something, which passes?r these outside or it the litauischen director Sharunas Bartas, enth? surely a much to high dose at autistischem Existenzialismus. stragglers shapes, which strand at a w?en K?e and look for then aimlessly width, unf?g to the Verst?igung, until they go individually schlie?ich before the dogs - they are the distorted image of a so dull/musty Geworfenheits complaint the fact that nor one removes neither one from them their meager S?e and weighs more heavily, it. Film with its views lasting several minutes of sea, wind and shape, possess Bartas of ' films?rhaupt V?erei used eye, a cleaning Trip dramatic in its extreme slowing down and Spr?gkeit a strength, which can extend deeply. to those. The cinema of Sharunas Bartas ' is not a model that one recommends the Gef for imitation m?te.? f?die Abst?e, which?rspringt the cinema otherwise often beh?e, between picture and Erz?ung, view and Verst?igung. it gave still another another raw block turned in the competition by Venice, shameless against each digestibleness, drilled and obsessiv: (phantom), the Erstlingsfilm of the Portuguese Jo?Pedro Rodrigues, shows a young M?mann when pursuing its (homo)sexuellen Fantasien, a B?el longing, which floats by the N?te without prospect on satisfaction, because where its nose also schn?elt, its tongue also licks, nowhere finds Sergio more than br?ige rituals of force and he delivers subjecting those itself helplessly aggressively, because he no other sinnliche connection to the Au?nwelt more FR?. M?kippe stands for it at the n?sten, to the dog regrediert it schlie?ich. The last twenty minutes of the film it start after way completely down, streunt on all four by the dirt, a "Fantom" in the black Latexanzug, a new wolf boy, that the civilization not taken up, but does not ausgespien has is terrible in its d?eren repetition obligation. phantom view of an uncontrollable Vertierung in the waste of the society to the deepest Eindr?en of this festival. it hardly becomes the spontaneous detuning?r Rodrigues '. Who accompanies the Grenzg?e of Bartas and Rodrigues of open eye, which will appear smaller much other from the competition anschlie?nd a number, is actually than it one sch?, loose Gangsterkom?e. again gem?ich a satirisches chaos off, this time f?und against the way of life Texas. Tom Tykwer brings together in again two verk?erte hearts for the high song of the love. Stephen Frears erz?t with melodramatisch from a childhood in the Liverpool of the drei?ger years, under the ideological pressure of catholicism and fascism. These films are better than gro?r a remainder gro?rtig are, remain them in the framework its that one of their. And they already lose at soil gegen?r a punch from the darkness how. Click on the arrows or the small W?er f?andere topics. Do you click on gro? Word in the center f?Inhalte to this topic. Do you commentate to articles, do place you own Beitr? to the discussion or you debate the important topics of the time. Analyses and Hintergr?e to one of the most important elections of this world. The best Fakult?n in the new CHE- Excellence Ranking. The common Web log of German youth media collects ideas, which one can do against the strategies that rights. Topic dossier from time archives - automatic and free by key word registers.